Comparative Formal Analysis of Artworks

The rise of civilization follows hen hu military man decided to chassis for themselves a more stable and promising life. Culture ruptures then occurred among the Paleolithic and Sumerian point in fourth dimensions due to the civilization of Mesopotamia, and humankind developed a polytheistic culture In which rituals and worshipping came Into play. Statuettes of Worshippers (ca. 2700 BCC. ) from the Square Temple at Susquehanna, Iraq, were virtuoso of the representations of the Sumerian culture. The emphasis on antithetic body part of the sculptures signifies a shift in culture due to the rise of civilization.Life during the Paleolithic period was plain tit meager cultural resources. Venus of Wildflower is a tiny three-dimensional female figure, approximately 4 1/4 high, created with simple sculpting tools, probably something similar to a chisel, and a piece of Limestone. The sculpture displays a woman with her pair of thin forearms resting on her breasts and a massive belly h anging above her pubic triangle. The roundness of her body separate dominates the whole sculpture.The tools and media available at that time period set a limit on the techniques of creation, leading to the rugged coarseness of this sculpture. In put to sleep with a prevalent human figure, Venus of Hellbender Is exaggerating out of proportions, which seems to fix women from the Paleolithic period. The title of this sculpture, Venus, whitethorn be an attempt to explain the torment and the nakedness of her body. Venus, who is the goddess of beauty and love according to the Roman mythology, susceptibility be depicted as the goddess of impressiveness during the Paleolithic period.The figure, lacking facial nerve features which may be covered by the braided hair, leads the audiences focuses to her enormous body parts, especially ere breasts and belly. Her belly bulging out may suggest pregnancy era the conspicuous outline of her pubic triangle may represent fertility. From another (prenominal) point of view, Venus of Wildflower, with the fullness of her body, may also be a symbolization of desire for abundance. The Intention of this relatively petty(a) sculpture might have been some kind of amulet men carried around or maybe It even acted as a motivation for men hunter to hunt for abundant amount of food.In this sculpture, the emphasis of womens delectate body parts Implies that mankind in the Paleolithic period tends to create what they desire, in the case of The instruction of living, as well as the culture, changed with the rise of civilization in Mesopotamia. No longer did ordinarywealth in Sumerian period live a hunters live instead, they worked to create a more stable life by farming and herding, which was an evidence of civilization. Significant inventions during the Sumerian period equipped passel with improved tools and media to create sculptures with better techniques.Apparently, the Statuettes of two worshippers have a smooth-textured surface and texture comparing to Venus of Wildflower. The material of the statuettes was soft gypsum adorn with shell and black limestone while Venus of Wildflower was created with limestone only. Clothing and facial features were carved onto the statuettes of the two worshippers unlike the sculpture of Venus of Wildflower. The men fall apart a fringe skirt with a belt while the women soften a long robe. And instead of enormous breasts and belly, these statuettes have in common outstanding, round eyes.This reveals a cultural meaning of the Sumerian period that sexual urge is differentiated not by sexual body features, but by appearance and clothing. Comparing to that of the Venus of Wildflower, the statuettes have a more normal proportion, despite the size of their eyes and manpower. Although these statuettes of worshippers were manufactured in a liberal range of sizes, they all have a common body move having a neutral facial expression and standing upright with their small hands to gether placed in front of their chests.The position of the hands, along with their head slightly tilted upwards, may suggest that they are praying or begging for something from deities or any other gods and goddesses they believe in. Also, the small hands of the statuettes may imply that they have a limited ability and their huge, deplorable eyes seem to represent a desire for something in outlet for instance, help from the deities to cure a disease.These statuettes of worshippers were found in homes as consecrate figures probably because common people were not allowed to visit the Gujarat in that time period. Not only do these statuettes signifies a civilization, they also mark the shift of culture and the development of religions and beliefs. The similarities and differences of Venus of Wildflower and the Statuettes of two reshipped from two different historical time periods display a major change in the culture along with the way of living among a group of people in a society .Moreover, the emphasis on certain body parts can be viewed as the main symbolization of the individual sculpture. In this comparison, the breasts, belly and pubic area of Venus of Wildflower represent fertility and abundance while the eyes and hand gesture of the Statuettes of two worshippers make up belief and desire for help. In general, different artworks created in different historical time periods usually reveal a major revolution or a shift in culture.